9.8création

  • Charge Maximale de Rupture // Cirque à Mille Temps

    France

    corde lisse

  • 45mn
    Ages 8 and up
    Under the big top
© Romane Cassard
© Romane Cassard
© Romane Cassard
© Romane Cassard

Teaser "9.8" - CMR (Charge Maximale de Rupture)

Presentation

9.8 is a call to adventure, a quest for origins that explores the confines of our subconscious. Using the rope as a sacred object, the performers create an ode to gravity and its power. Through their relationship with the apparatus, they pose the question of the place of the body when confronted with a force that is beyond them. Using a physical and poetic writing that embraces notions of archetype and ritual, the artists examine the relationship between a guide and a novice. Together, the pair depicts the evolution of matter until it becomes humanity.

Charge Maximale de Rupture in joint production with Cirque à Mille Temps.

 

Co-writers and performers Pablo Penailillo and Manuel Martinez
Co-writer Fernando Arévalo
Music and sound design Alvaro Munizaga
Tecnhician and light design Célia Idir
Costumes Romane Cassard
Artistic consultants Amanda Homa, Maël Thierry and Inbal Benhaim

 

Executive production Cirque à Mille Temps Coproduction Archaos - national circus center Residencies Espace Catastrophe (Brussels, Belgium) / Académie Fratellini (Saint-Denis, France) / Cirk’Eole (Montigny-lès-Metz, France) / Espace Périphérique (Paris, France) / Archaos (Marseille, France) / Les Noctambules (Nanterre, France) / Le Palc, Espace Athic (Obernai, France) / Ecole Nationale de Cirque (Châtellerault, France) / Acrofolies (Lescar, France) Support France relance / DRAC Provence-Alpes-Côte d’Azur / Dispositif Jeunes estivants 2021 / DRAC Grand Est

The company Charge Maximale de Rupture (CMR) was born within the CNAC national circus center in 2019 and is composed of the artists Fernando Arévalo, Marica Marinoni, Pablo Peñailillo, Héctor Diaz, and Maël Thierry. They started their journey under the wing of Galapiat Cirque and then flew off in search of their own creative colors and their own ways of approaching the notion of community.

Dates and times

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