Performers Camille Chatelain, Mathieu Despoisse, Marine Fourteau, Angélique Grandgirard, Roch Havet, Mathieu Pasero       
Written and directed by Raoul Lambert
General technician Benoît Chauvel
Assistant director Clémentine Dilé
Lights Alix Veillon
Sound Maxime Leneyle
Costumes and accessoires Magali Leportier
Research for stage magic Louise Bouchicot
Set construction Armand Barbet, Olivier Filipucci
Administration and production Hélène Baisecourt
Graphic design and photography Mélissa Waucquier

Production Cie Raoul Lambert ! Coproductions La Verrerie d’Alès, national circus center in Occitanie / Le Cratère, national theater in Alès / La Cascade, national circus center for Ardèche, Auvergne, Rhône-Alpes / CirquEvolution / AY-ROOP national theater / Théâtre Durance, recognised art and creation theatre / Théâtre de Fos - Scènes et Cinés, recognized arts-in-territories theater / CIRCa, national circus cente in Auch Research laboratories La Verrerie d’Alès / Stabule, Cheptel Aleikoum – Saint-Agil Residencies Le Cratère – Alès / La Verrerie d’Alès / Stabule, Cheptel Aleikoum – Saint-Agil / L’Echalier, atelier de fabrique artistique – Saint-Agil / Théâtre du Vieux Saint-Etienne / AY-ROOP – City of Rennes / Espace Marcel Pagnol – Villiers-le-Bel / La Cascade – Bourg-Saint-Andéol / La Villette & Cie Le Phalène – Thierry Collet as part of the Magic Wip festival – Paris / Centre International des Arts en Mouvement – Aix-en-Provence / Espace Germinal – Fosses / CIRCa national circus center in Auch / Théâtre de Fos / Scènes et Cinés – Fos-sur-Mer / LE PÔLE, secognized arts-in-territories theater – Le Revest-les-Eaux Support City of Nîmes / Gard Department / Région Occitanie / DRAC Occitanie / French government– Prefect for the Région Occitanie 

"Raoul Lambert once again challenges our assumptions with mischief and humor. “
– Thierry Voisin, Télérama Sortir

New magic? Old magic? Mentalism? Mental magic? Illusionism? Prestidigitation? One thing is certain, it is definitely a question of magic! But, above all, a question of a show. And of representation, posture, and imposture. And of weaving an intimate relationship with the audience to create a humorous exploration of our natural propensity for credulity and manipulation as well as our relationship to power.