Des bords de soi
Collectif AOC - Marlène Rubinelli
Circus
Tent Village - Plages du Prado
Marseille,
Includes an intermission15-minute video installation before the performance
After Colère in 2006 and À notre chère disparue in 2011, the Groupe Merci has once again turned to Eric Arlix’s polymorphous writing with Programme, a dialogue between the author and British visual artist Simon Starling. Inevitably political, Programme denounces the brutality of the real through a text—and in particular a series of injunctions—in which the individual, immersed in his own fictions, seeks to avoid becoming a “broken man”. An acerbic observation and perfect material for creating a true struggle between texts, stunts, and politics.
Programme starts off with a “PLAY NOW!!!” as it swiftly rushes us into a stifling capitalistic-postmodern world with no possibility of return. Definitely critical and felicitously poetic, this is a connected reality caught in a loop game where acceleration eats all thoughts and erodes all lucidity. Anything can happen when the game stops and a great emptiness takes over inside us… There will only be one attempt and one 40-minute round: Same player, shoot again, “PLAY NOW!!!” But be careful, the burlesque situations and the stunts can make you laugh as much as they can make you grind your teeth!
Text Eric ARLIX
Commissioned by the Mac/Val in 2010 for the Fiction collection (commission based on the work of an artist then exhibiting at the Mac/Val: Simon STARLING)
Concept and set design Joël FESEL
With the participation of Marie-Laure HÉE and Pierre DÉAUX
Lights and stage management Raphaël SEVET
Machine construction Alexandre BÜGEL
Administration Aurore CARPENTIER
Distribution Céline MAUFRA
Special thanks to Gabrielle VINSON
With Georges CAMPAGNAC and Eliott PINEAU ORCIER
Production Groupe Merci
Support from the Haute-Garonne Departmental Council
Residencies CIRCa, Pôle National Cirque, Auch Gers Occitanie
Le Groupe Merci is subsidized by the DRAC Occitanie, the Occitanie-Pyrénées-Méditerranée Region and the City of Toulouse.
“Only a stuntman (and boxer) would dare try all of these leaps and recoveries. Both fierce and burlesque, Eliott Pineau Orcier proves himself well equipped to make his way in this merciless world. A performance of the highest quality.” Télérama, June 2018
Based in Toulouse since 1996, stage director Solange Oswald and visual artist Joël Fesel conduct “nocturnal objects” with the Groupe Merci—experiments at the crossroads between theatre, poetry and the visual arts. They like to claim non-theatrical spaces and create performance-journeys that immerse audiences in new worlds. What is at play on the Groupe Merci’s stage is a dialogue between the space and the texts. They seek to trigger reactions and provide contemporary poetry where it is unexpected, all in the context of unusual places: in a camp with La Mastication des morts, at the top of a pit with Europeana, under an oppressive ceiling with Trust... Programme is the company’s first circus performance. The Groupe Merci runs the Pavillon Mazar in the heart of Toulouse, a laboratory for new forms that is also “a place that is ideal for theater, for experiments, for the restless and amusing sharing of our mutations.”
Circus
Tent Village - Plages du Prado
Marseille,
Chinese pole, dance and acrobatics
Tent Village - Plages du Prado
Marseille,
Swinging trapeze, wire, live music, singing, clowns, balances or antipodism, fabric or rope, trapeze
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