Conception and Direction: Camille Decourtye and Blaï Mateu Trias
Artistic Collaboration: Maria Muñoz and Pep Ramis, Mal Pelo, Bonnefrite
Artists: Lali Ayguade, Noëmie Bouissou, Camille Decourtye, Taïs Mateu Decourtye, Blaï Mateu Trias, Julian Sicard, Piero Steiner et Marti Soler Gimbernat
Animals: Bonito and Shengo (horses), Gus, Zou, Farouche, and Midinette (birds)
Animal Trainers: Camille Decourtye, Nadine Nay and Laurent Jacquin
Original Sound Effects: Fanny Thollot
Musical Accompaniment: Nicolas Lafourest et Fanny Thollot
Light Design: Adèle Grépinet
Costume Design: Céline Sathal
Technical Director: Bernard Molinier
Lighting Technician: Louis Cormerais
Set Construction: Laurent Jacquin et Sylvain Vassas-Cherel
With: Aurélien Conil (electronics and computers), Pau (organ builder) et Tristan Plot (birds)
Production/ coordination : Marie Bataillon et Stéphanie Brun

“Run to see these beasts of the stage. A pure marvel.” – Elle

“Between reality and fanstasy, artists and animals are united...in this audacious creation by the Baro d'evel company.” – Libération

The Baro d’evel company's projects are always born out of a desire for the improbable, a fascination with the border between an intimate moment and a public feat. Movements, acrobatics, lifts... The work of the company stems from an engagement with the physical body and a daily training routine. The starting point for a performance is often a strong notion of the possibilities of the stage, a question about the place of the spectator in this space. Rhythm, voice, and sound play a major role in the writing in order to ensure that musicality is at the heart of the action and to create a direct link to the senses.

When it comes to the original productions, it is a matter of shining a light upon the imperfections of the body in movement, its inner torments, its extraordinary fragility. It is also a question of embodying beings who can improvise, who can adapt, who can be inherently simple yet profoundly surprising, all by evoking roles and states of mind rather than mere characters. And then there is the animal presence, the horses that are vital to the working life of the company. This approach pushes the boundaries of questions of animalism and identity; the horse elicits old instincts, a sense of spontaneity, it pushes both the artists and the audience into the "here and now".